Graphic Medicine & Comics in Healthcare

Written by Jonathan Ames Art and cover by Dean Haspiel Jonathan A. is a boozed-up, coked-out, sexually confused, hopelessly romantic and, of course, entirely fictional novelist who bears only a coincidental resemblance to real-life writer Jonathan Ames, critically acclaimed author of Wake Up, Sir!, The Extra Man and What's Not to Love? For the fictional Jonathan, writing and drinking come easy. The hard parts of life are love and hope. From a touching relationship between Jonathan and his aging great aunt, to an inebriated evening with an amorous, octogenarian dwarf, to the devastating aftermath of 9/11, Ames's first original graphic novel, with gritty, poignant art by Dean Haspiel (THE QUITTER), tells a story at once hilarious, excruciating, bizarre and universal, about how our lives fall to pieces and the enduring human struggle to put things back together again. Advance-solicited; on sale September 17 * 6.875" x 9" * 136 pg, B&W, $19.99 US * MATURE READERS

Suburban Seattle, the mid-1970s. We learn from the out-set that a strange plague has descended upon the area’s teenagers, transmitted by sexual contact. The disease is manifested in any number of ways — from the hideously grotesque to the subtle (and concealable) — but once you’ve got it, that’s it. There’s no turning back. As we inhabit the heads of several key characters — some kids who have it, some who don’t, some who are about to get it — what unfolds isn’t the expected battle to fight the plague, or bring heightened awareness to it , or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself — the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape. And then the murders start. As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it- back when it wasn’t exactly cool to be a hippie anymore, but Bowie was still just a little too weird. To say nothing of sprouting horns and molting your skin…

#1 New York Times Bestseller In her first memoir, Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents. When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the "crazy closet"-with predictable results-the tools that had served Roz well through her parents' seventies, eighties, and into their early nineties could no longer be deployed. While the particulars are Chast-ian in their idiosyncrasies-an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades-the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care. An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast's talent as cartoonist and storyteller.

Cartoonist Ellen Forney explores the relationship between "crazy" and "creative" in this graphic memoir of her bipolar disorder, woven with stories of famous bipolar artists and writers.   Shortly before her thirtieth birthday, Forney was diagnosed with bipolar disorder. Flagrantly manic and terrified that medications would cause her to lose creativity, she began a years-long struggle to find mental stability while retaining her passions and creativity. Searching to make sense of the popular concept of the crazy artist, she finds inspiration from the lives and work of other artists and writers who suffered from mood disorders, including Vincent van Gogh, Georgia O'Keeffe, William Styron, and Sylvia Plath. She also researches the clinical aspects of bipolar disorder, including the strengths and limitations of various treatments and medications, and what studies tell us about the conundrum of attempting to "cure" an otherwise brilliant mind. Darkly funny and intensely personal, Forney's memoir provides a visceral glimpse into the effects of a mood disorder on an artist's work, as she shares her own story through bold black-and-white images and evocative prose.

Special Exits chronicles the decline of Lara (Farmer's stand-in)'s elderly parents (Lars and Rachel)'s health. Set in southern Los Angeles (which makes for a terrifying sequence as blind Rachel and ailing Lars are trapped in their home without power during the 1992 Rodney King riots), backgrounds and props are lovingly detailed: these objects serve as memory triggers for Lars and Rachel, even as they eventually overwhelm them and their home, which the couple is loathe to leave. Rendered in thin, confident pen lines, Special Exits is laid out in an eight-panel grid, which creates a leisurely storytelling pace that not only helps to convey the slow, inexorable decline in Lars' and Rachel's health, but perfectly captures the timbre of the exchanges between a long-married couple: the affectionate bickering; their gallows humor; their querulousness as their bodies break down. Though Lars and Rachel are the protagonists of Special Exits, Farmer makes her voice known through creative visual metaphors and in her indictment of the careless treatment of the elderly in nursing homes.

The prize-winning children's author depicts a childhood from hell in this searing yet redemptive graphic memoir. One day David Small awoke from a supposedly harmless operation to discover that he had been transformed into a virtual mute. A vocal cord removed, his throat slashed and stitched together like a bloody boot, the fourteen-year-old boy had not been told that he had throat cancer and was expected to die. Small, a prize-winning children's author, re-creates a life story that might have been imagined by Kafka. Readers will be riveted by his journey from speechless victim, subjected to X-rays by his radiologist father and scolded by his withholding and tormented mother, to his decision to flee his home at sixteen with nothing more than dreams of becoming an artist. Recalling Running with Scissors with its ability to evoke the trauma of a childhood lost, Stitches will transform adolescent and adult readers alike with its deeply liberating vision.

Swallow Me Whole is a love story carried by rolling fog, terminalillness, hallucination, apophenia, insect armies, secrets held, unshakeablefaith, and the search for a master pattern to make sense of one'sunraveling. Two adolescent stepsiblings hold together amidst schizophrenia,obsessive compulsive disorder, family breakdown, animal telepathy, misguidedlove, and the tiniest nugget of hope that the heart, that sanity, that orderitself will take shape again.

In this powerful memoir the the LA Times calls “moving, rigorous, and heartbreaking," Sarah Leavitt reveals how Alzheimer’s disease transformed her mother, Midge, and her family forever. In spare blackand- white drawings and clear, candid prose, Sarah shares her family’s journey through a harrowing range of emotions—shock, denial, hope, anger, frustration—all the while learning to cope, and managing to find moments of happiness. Midge, a Harvard educated intellectual, struggles to comprehend the simplest words; Sarah’s father, Rob, slowly adapts to his new role as full-time caretaker, but still finds time for wordplay and poetry with his wife; Sarah and her sister Hannah argue, laugh, and grieve together as they join forces to help Midge. Tangles confronts the complexity of Alzheimer’s disease, and ultimately releases a knot of memories and dreams to reveal a bond between a mother and a daughter that will never come apart.